The Postmodern years can be divided in decades of the 20th century, from fiftys to ninetys.
At the same time that the “main postmodern program” was walking looking for efficiency and results, parallel movements, opposed or not to that program, capted different feelings about what was happening to the society.
From fiftys to sixtys, at the same time that the Counterculture Movement was growing, in the Arts it was a kind of “romantic feeling” in the 19th century style.
It was a kind of “counterbalance” to the “main postmodern program”.
So, at the same time that people were dreaming with peace and liberty, they had a nostalgic feeling about life walking together with existentialist crisis of that days.
Then, in the sixties The Beatles sang that “yesterday all my troubles seemed so far away”, and that they “long for yesterday”.
The decade of seventys was a transitory decade toward the next apparent “victory” of the “main postmodern program”.
The decade of eightys was called “the lost decade” because of economic problems, but (and maybe because of it) it was also a time to the stablishment of a very pragmatic economic way that would be stronger in ninetys.
Well, in the eightys Duran Duran did not sing anymore like Beatles. The nostalgic feeling was replaced by a more realistic and conformist way of life and they sung a song named “Ordinary World” and talked that “I won’t cry for yesterday, there’s an ordinary world, somehow I have to find, and as i try to make my way, to the ordinary world, I will learn to survive”.
The nostalgic world of Beatles was a dreaming world and the ordinary world of Duran Duran was a “post-dreaming world” in front of a new reality, but it were two poetic ways to feel the current moment in that days.
The pendulum of history swang from a “romantic para-postmodern” to a “realistic para-postmodern” between fiftys-syxtys to eightys-ninetys.
The seventys was something different, a forgotten decade, a kind of “middle ages” in the Postmodern Era.