segunda-feira, 12 de dezembro de 2011

The End of Postmodern Efficiency

Postmodern period started in the 1950’s decade and one of the main pillars of postmodernity was “bipolarity”, even at the same time there was created something like the United Nations and other similar organizations. There was a First World and a Second World. Well, in a field with two poles, something like a “Third World” could be strange in a kind of Aristotelian logic. So, in the Cold War, the Third World was in the shadows, receiving influences of both sides. With the supposed victory of the Free Market World in the 1990’s, it seemed that the world was one with that and its efficiency, and a supposed minimum State to control the citizens.  
As ever, the Art World sometimes follow the system, but many times reveals what is in the shadows. So, the Counterculture Movement that was embryonic in the 1950’s showed itself in 1960’s and ahead, not only in Art but also in other areas. In society appeared “hippies” and similar groups. But, as everything was dominated by the market these all became only commercial marks and in the 1980’s came the “yuppies” very much tuned with the efficiency of Postmodernity, with pragmatism and competitive spirit. So, the triumph came in the 1990’s for that maybe “dehumanized” efficiency. In 1999, the beginning of the Anti-globalization Movement seemed a little crazy, perhaps old fashioned in front of a triumphant “globalized market world” that promised products and peace for everyone. Maybe that movement was feeling what was coming in the 21th century and that what was in the “shadows world” was something more complex.
We are not talking about wright wing or left wing because it would be fall in the same bipolarity. We are talking of Complexity. Now the world is in a transition time where Complexity can help to go beyond polarity. Maybe “cooperation” can be more important than “competition” as we can see from the Durban decisions about Environment decisions for the future, even with the disbelieving of many people.      

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